Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 342 | Ozanne bare millings every detail accurate pa that tavla,aven himlen and foam stamp sjon | Maria Josepha of Saxony, Queen of Spain | malning i litslena kyrka | Painted Screen of St Paul |
Related Artists:
COELLO, Claudio
Spanish Baroque Era Painter, 1642-1693 Spanish painter and draughtsman. Together with the court painters Francisco Rizi, Juan Carre?o de Miranda and Francisco de Herrera, he was one of the foremost exponents of a style of Spanish painting that developed between c. 1660 and 1700 and was characterized by theatrical compositions and rich colours. The sources of this late Baroque style, which was distinct from that of the previous generation of Spanish Baroque artists, most of whom painted sober, realistic depictions of religious and secular life, lie in the influence exerted by Venetian Renaissance painting and by Italian and Flemish art of the period,
Ary Scheffer
Dordrecht 1795-Argenteuil 1858 Dutch painter, sculptor and lithographer, active in France. He became a French citizen in 1850. He received his earliest training in the studio of his parents, Johann-Bernhard Scheffer (1764-1809) and Cornelia Scheffer (1769-1839), who were both artists, as was his brother Henri Scheffer (1798-1862). He then attended the Amsterdam Teeken-Academie (1806-9). At the first Exhibition of Living Masters in Amsterdam in 1808 he showed Hannibal Swearing to Avenge the Death of his Brother Hasdrubal
Joseph Ducreux
1735-1802 French French painter, pastellist and engraver. He lived in Paris from 1760 and from 1762 kept a list of his works. Among the portraits he completed in his early years were those in pastel of the well-known connoisseurs Pierre-Jean Mariette, the Comte de Caylus and Ange-Laurent de la Live de July (all untraced), which apparently were copies after Maurice-Quentin de La Tour. Ducreux has traditionally been seen as de La Tour favourite pupil, while Jean-Baptiste Greuze is supposed to have initiated him into oil painting. From his age, it can be assumed that by the time Ducreux reached Paris he had already acquired a grounding in his art.